Jennifer Jupiter
Brilliant stuff. Fans of People Like Us, Bran Flakes, Dummy Run, Stock Hausen & Walkman, Tipsy, Broadcast etc are sure to love this. In fact it is worth checking all Økapi albums and music here: slappress.bandcamp.com
Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Purchasable with gift card
€8EUR or more
Limited Edition 12" Vinyl
Record/Vinyl + Digital Album
Speciale release, with handmade cover with hand numeration by Deva;
Graphics, mix, mastering: Okapi;
Vinyl editing: Deva @ Anticamera Delle Arti Studio (Corigliano Calabro);
Limited edition: 200 copies;
Includes unlimited streaming of LABIRINTO
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
ITA:
“Labirinto. Verso un altro ritorno” è la sua ultima creazione.
Økapi è stato chiamato nel 2017 dalla compagnia teatrale Teatro delle Apparizioni per sonorizzare un enorme labirinto per bambini allestito in occasione del Romaeuropa Festival presso i locali di Macro-Testaccio (Romaeuropa Kids, 11-19 novembre 2017). L’esperienza è stata un enorme successo. Quasi 4.000 bambini hanno attraversato le sette stanze del labirinto.
Attraversando le stanze il bambino viene accolto (e talvolta respinto) da suoni, melodie che gli raccontano un ambiente, una storia: il bambino viene chiamato a vivere l’ascolto come esperienza percettiva globale, che coinvolge cioè il senso dell’udito, ma anche più globalmente il suo corpo e le sue emozioni.
ENG:
"Labirinto. Verso un altro ritorno" is his latest creation.
Økapi was called in 2017 by the theater company Teatro delle Apparizioni to sound an enormous children's labyrinth set up for the Romaeuropa Festival at the premises of Macro-Testaccio (Romaeuropa Kids, 11-19th November 2017). The experience was a huge success. Almost 4,000 children have crossed the seven rooms of the labyrinth.
Passing through the rooms the child is welcomed (and sometimes rejected) by sounds, melodies that tell him an environment, a story: the child is called to live listening as a global perceptual experience, which involves the sense of hearing, but also more globally his body and his emotions.
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